Abdelilah Zaki was born in Casablanca (Morocco) on December 19, 1966, in a lofty lineage marroqudonde aejo family is caught between a hostile and intolerant world. Restless spirit and refiner of virtues, is being derided in lyrical painter when he praises in love longings and hopes, but is scathing, sharp and incisive when he tries to analyze his work calmly. From an early age is revealed as a deeply seasoned in the humanities. Metdico thinking, analyzing reality of the facts and in light of their experience, orientation gives his work, which is selfless and generous. In its genre, is one of the most fertile and artsticasde promises his country. To assess its creation must dive between styles and trends in its origins and its evolution into the future. The figure of Zaki painter stands as a powerful star on the top of the "New Figuracin", the light blinds those who want to ignore it and shines his radiation routes future that clears. Thinker and artist in his work endures in the form of beauty in which expresiny plasma intimas.Emociones ms emotions that make you question about: Where to begin and end what our eyes perceive, ie what they nouns can reproduce natural. Qupapel plays figuracin prevention image and the economy of the imagination, but above all, quentendemos by reality. You can set the strokes lasting and recognizable forms; Quse lose those traits in ways durable and recognizable Quse those lost strokes on the austere silence of pure contemplation, in the fleeting sensations captacin and memories. The real image of a memory is, for the painter, originated at the moment to undertake a spiritual journey, a path pursued by the color, light, depth of inner necessity. Is both a detachment from the visible to what is the expression of the soul. As leads to a vast domain of images emerging from the artist's imaginative play with his back to the realism of no return, he explores the hidden estpor forth in man. In his mind and on your skin estla presence of lyrical lines, the Arab calligraphy, the harmony of geometric forms with which it aims to provide a stable and dynamic image that goes beyond the reality to another level of thinking, which crosses the border of the real, real concern, where the "New Figuracin" expression becomes subjective.